Dr Kirsty Baker is an art historian, curator and writer based in Te Whanganui-a-Tara where she currently works as a curator at City Gallery Wellington Te Whare Toi. She completed her PhD in art history at Victoria University of Wellington—Te Herenga Waka, where her thesis ‘Constituting the “Woman Artist”: A Feminist Genealogy of Aotearoa New Zealand’s Art History 1928–1989’ was awarded a place on the prestigious Doctoral Dean’s List for 2020. Alongside this academic research, Baker’s writing on contemporary women artists in Aotearoa has appeared in a wide range of publications, including Art New Zealand, The Pantograph Punch, Artist Profile, Femisphere and Art and Australia. She has also written essays on women artists and feminist art histories for a range of publications including Flora: Celebrating Our Botanical World (Te Papa Press, 2023), The Dialogics of Contemporary Art: Painting Politics (Kerber Verlag, 2019), Embodied Knowledge / Can Tame Anything (The Dowse Art Museum, 2019), Jacqueline Fahey’s Suburbanites (New Zealand Portrait Gallery, 2019) and All Lines Converge: Some Lines Through the Archive (Govett-Brewster Art Gallery, 2017).